Inviting Readers To Read
When was the last time you looked at a page you’ve written? I mean really looked at it, as if you hadn’t written it?
Try this little experiment:
- Pick a page you’ve written recently. Any page. For any audience.
- Hang it on a bulletin board, a wall, even the front of your computer monitor.
- Step back to at least arm’s length — a smidge further if you’re blessed with good distance vision. You should be able to see the page but not read it.
What do you see? What kind of balance is there between text and empty space? Between text and pictures? Between black and color? Is there so much text on your page that when you look at it from this perspective it seems to spooge together into one big grey mass?
Now ask yourself: Would you want to step forward, take this page in hand, and read it? Do you think your intended readers would?
If your answer to the first question is “No,” I can guarantee that your answer to the second question is “No” as well.
When I was in journalism school, the students in the magazine program first learned about “invitations to read” (one professor called them ”opportunities to read”). It was a marriage of writing and design — a concerted effort to present information in a visually appealing package. Every element on a page was an invitation to enter the article and begin reading it. To name just a few elements:
- Headlines
- Subheads
- Photographs (and their captions)
- Illustrations (and their titles or captions)
- Tables, charts and graphs (and their titles or captions)
- Icons
- Pull quotes
- Lists
- Sidebars
- Color
- Borders
- White space
In workshops at school, and later as an editor at a personal computing magazine, I looked for opportunities to create invitations for my readers. It was a habit that I brought to my work in technical writing and in corporate communications writing. In technical documentation in particular, just because the information was often exceedingly technical didn’t mean that it had to be painful to read. If it couldn’t be made entertaining, it could at least be made easy to get into, get through, and get out of.
Think about it. When you’re flipping through a magazine or newspaper, what makes you stop to look at a page for more than three seconds? What caught your eye first? What caught your eye second and convinced you to read a little further? Is there an element from my list above that’s a sure-fire way to get you every time?
Think about it for a bit. Did something surprise you? Did you take yourself for a headline junkie, only to realize that photos have an equally strong — or stronger — pull for you? Share your discovery here with us, there’s much we can learn from each other’s experiences and preferences. Then join us here when we pick up again on Wednesday!

tag this


January 23rd, 2007 at 11:15 am
Great post, great points, all nicely written and beautifully presented. The blog is off to a wonderful beginning. Congratulations, Whitney!
January 23rd, 2007 at 12:28 pm
Thanks for stopping in, Liz, and leaving a note. Hope to see you around here again!
January 23rd, 2007 at 8:50 pm
Great article Whitney, with some terrific reminders about how we approach a page of text.
There’s a magazine in Australia (”Notebook”) that I try and read whenever I’m at the hairdresser because it is so beautifully laid out and just so darn ‘readable’ as a result. Every other magazine title at the hairdresser’s fades into pap against this magazine.
They have an online version, which has similar elements to the print version (http://www.notebookmagazine.com/). Howevere, while the online version looks like many other websites, the print one doesn’t. The tabs and paper-clipped sidebars in the online version are realities in the print version too - yes, real colour-coded tabs in a magazine, and real-looking post-its and paper clips. Their use of white space and their consistent use of themed colours make this magazine a visual feast. And yes, I’ve read the articles too, but it’s the sidebars in particular that grab my attention.
January 24th, 2007 at 3:38 am
A fabulous summary, Rhonda, of what pulls you in as a reader and why/how this particular magazine not only consistently grabs you but compels you to seek it out. And thanks for giving us the magazine’s Web link.
Sidebars have always been a sure-fire way to pull me into articles, even on subjects I wouldn’t ordinarily read. Quite often, it appears as if the editorial team’s creativity comes out strong in sidebars. I don’t know if it’s because the generally small size of sidebars makes it easier for people to venture out and play with quizzes, checklists, and other things — or what.
Thanks for stopping in. Hope we’ll see you back here!